Marcus Worgull’s parents didn’t have a record collection full of miraculous funk, soul and jazz records. Believe us, they didn’t. Consequentially, six-year-old Marcus didn’t place himself on a soapbox to play those non-existing ones to his relatives during family celebrations. I bet you are glad that we clarified that. Instead, Marcus had to go the really hard way. It were the late 80ies and growing up in cosy Wuppertal near Cologne, Germany that meant lots of learning, digging, searching and no perching at all.
So the boy was on his travel through the world of merry music. Hip hop, reggae, funk, soul all purchased with his lunch and pocket money at a smalls tore named Groove Attack. Worgull got his fingers dusty there and as fate would have it, the store moved to Cologne mutated into a distributor along the way and is now run by Marcus himself. At around the same time, MW snuck into club’s like the Beat Box to hear DJs like Norman Jay or Gilles Peterson selecting, before he cut his teeth as a DJ at the infamous U-Club, where he took over the fortunes of the “house room” and played from start to finish. Learning the art of programming and all the other important disc jockey techniques from scratch.
Thrilled by all the amazing platters of majestic deep house that were a plenty these days, Marcus’ soft spot for profound yet moving house music turned into a real obsession.
As it goes with most passions, you cannot get rid of them that easy. So instead of making an occupational decision in getting an academic degree, Marcus choose the doomed path of music.
A full-grown man by now with a mature record collection, he got deeper and deeper into the production side of it, recorded his first 12” for Spectrum Works, followed by the Texel EP including the still ueber-massive “Dragon Loop” for Berlin’s Innervisions imprint. Bound to the label of Dixon and Âme on a professional level and even more so on a personal one (friendship is way more important than fame and...